Country music is a wildly popular genre, but there are other sub-genres that could exist beneath it, such as Christian country music (CCM). CCM, sometimes called country gospel or inspirational country, blends the style of country with biblical lyrics. Like country music itself, it is an expansive genre, and no two CCM artists will sound exactly alike. 

This is a list of Christian worship music artists or bands. This list includes notable artists or bands that have recorded or been known to perform contemporary worship music at some point in their careers. This includes worship leaders, Christian songwriters, and contemporary Christian music artists. It is not a list of contemporary Christian music artists alone. Biblical Verses Image

Jack Wellman is a father and grandfather and a Christian author, freelance writer, and Prison Minister. Graduate work at Moody Bible Institute. His books are inexpensive paperbacks that are theological in nature: “Teaching Children The Gospel/How to Raise Godly Children,“ “Do Babies Go To Heaven?/Why Does God Allow Suffering?,“ "The Great Omission; Reaching the Lost for Christ," and “Blind Chance or Intelligent Design?, Empirical Methodologies & the Bible." Scripture Images
They faithfully brought in the contributions and the tithes and the consecrated things; and Conaniah the Levite was the officer in charge of them and his brother Shimei was second. Jehiel, Azaziah, Nahath, Asahel, Jerimoth, Jozabad, Eliel, Ismachiah, Mahath and Benaiah were overseers under the authority of Conaniah and Shimei his brother by the appointment of King Hezekiah, and Azariah was the chief officer of the house of God. Kore the son of Imnah the Levite, the keeper of the eastern gate, was over the freewill offerings of God, to apportion the contributions for the LORD and the most holy things.
For I do not want you, brethren, to be uninformed of this mystery--so that you will not be wise in your own estimation--that a partial hardening has happened to Israel until the fullness of the Gentiles has come in; and so all Israel will be saved; just as it is written, "THE DELIVERER WILL COME FROM ZION, HE WILL REMOVE UNGODLINESS FROM JACOB." "THIS IS MY COVENANT WITH THEM, WHEN I TAKE AWAY THEIR SINS."read more. Scripture Images
And all the skillful men who were performing all the work of the sanctuary came, each from the work which he was performing, and they said to Moses, "The people are bringing much more than enough for the construction work which the LORD commanded us to perform." So Moses issued a command, and a proclamation was circulated throughout the camp, saying, "Let no man or woman any longer perform work for the contributions of the sanctuary." Thus the people were restrained from bringing any more. For the material they had was sufficient and more than enough for all the work, to perform it. Scripture Images
I therefore, a prisoner for the Lord, urge you to walk in a manner worthy of the calling to which you have been called, with all humility and gentleness, with patience, bearing with one another in love, eager to maintain the unity of the Spirit in the bond of peace. There is one body and one Spirit—just as you were called to the one hope that belongs to your call— one Lord, one faith, one baptism, ... Scripture Verse Gift
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Then God said, “Let us make man in our image, after our likeness. And let them have dominion over the fish of the sea and over the birds of the heavens and over the livestock and over all the earth and over every creeping thing that creeps on the earth.” So God created man in his own image, in the image of God he created him; male and female he created them.
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"Accept these things from them, that they may be used in the service of the tent of meeting, and you shall give them to the Levites, to each man according to his service." So Moses took the carts and the oxen and gave them to the Levites. Two carts and four oxen he gave to the sons of Gershon, according to their service, and four carts and eight oxen he gave to the sons of Merari, according to their service, under the direction of Ithamar the son of Aaron the priest. But he did not give any to the sons of Kohath because theirs was the service of the holy objects, which they carried on the shoulder. The leaders offered the dedication offering for the altar when it was anointed, so the leaders offered their offering before the altar. Then the LORD said to Moses, "Let them present their offering, one leader each day, for the dedication of the altar." Now the one who presented his offering on the first day was Nahshon the son of Amminadab, of the tribe of Judah; and his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Nahshon the son of Amminadab. On the second day Nethanel the son of Zuar, leader of Issachar, presented an offering; he presented as his offering one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Nethanel the son of Zuar. On the third day it was Eliab the son of Helon, leader of the sons of Zebulun; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one young bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Eliab the son of Helon. On the fourth day it was Elizur the son of Shedeur, leader of the sons of Reuben; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Elizur the son of Shedeur. On the fifth day it was Shelumiel the son of Zurishaddai, leader of the children of Simeon; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Shelumiel the son of Zurishaddai. On the sixth day it was Eliasaph the son of Deuel, leader of the sons of Gad; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Eliasaph the son of Deuel. On the seventh day it was Elishama the son of Ammihud, leader of the sons of Ephraim; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Elishama the son of Ammihud. On the eighth day it was Gamaliel the son of Pedahzur, leader of the sons of Manasseh; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Gamaliel the son of Pedahzur. On the ninth day it was Abidan the son of Gideoni, leader of the sons of Benjamin; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Abidan the son of Gideoni. On the tenth day it was Ahiezer the son of Ammishaddai, leader of the sons of Dan; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Ahiezer the son of Ammishaddai. On the eleventh day it was Pagiel the son of Ochran, leader of the sons of Asher; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Pagiel the son of Ochran. On the twelfth day it was Ahira the son of Enan, leader of the sons of Naphtali; his offering was one silver dish whose weight was one hundred and thirty shekels, one silver bowl of seventy shekels, according to the shekel of the sanctuary, both of them full of fine flour mixed with oil for a grain offering; one gold pan of ten shekels, full of incense; one bull, one ram, one male lamb one year old, for a burnt offering; one male goat for a sin offering; and for the sacrifice of peace offerings, two oxen, five rams, five male goats, five male lambs one year old. This was the offering of Ahira the son of Enan. This was the dedication offering for the altar from the leaders of Israel when it was anointed: twelve silver dishes, twelve silver bowls, twelve gold pans, each silver dish weighing one hundred and thirty shekels and each bowl seventy; all the silver of the utensils was 2,400 shekels, according to the shekel of the sanctuary; the twelve gold pans, full of incense, weighing ten shekels apiece, according to the shekel of the sanctuary, all the gold of the pans 120 shekels; all the oxen for the burnt offering twelve bulls, all the rams twelve, the male lambs one year old with their grain offering twelve, and the male goats for a sin offering twelve; and all the oxen for the sacrifice of peace offerings 24 bulls, all the rams 60, the male goats 60, the male lambs one year old 60. This was the dedication offering for the altar after it was anointed. Scripture Verse Images
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks.
With a five-octave vocal range, Earnest Pugh is a powerhouse singer. He's appeared on networks like the Trinity Broadcasting Network (TBN) and Black Entertainment Television (BET) as well as on stage, acting in major plays such as "Love the One You’re With," "Secret Lover" (Michael Matthews), "Crazy Love" (D'Atra Hicks) and "Real Men Pray" (Angela Barrow and Lizzie Berry). Scripture Verse Gift
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Jesus knew the heart and since He is God, He knows the thoughts and motives of every human heart for He is also the Creator.  God looked at the religious leaders and knew that they were hypocrites because they taught one thing but did another as Jesus said “on the outside you appear to people as righteous but on the inside you are full of hypocrisy and wickedness” (Matt 23:28).  They liked to be seen and wanted others to think highly of them but Jesus knew that inwardly they were as dead as could be and were full of all sorts of evil and uncleanliness.  It is never what others think about us that’s important; it is only what God knows about us that counts.  We might be able to fool others but we can never fool God because “Lord, you know everyone’s heart” (Acts 1:24) “for the LORD is a God who knows, and by him deeds are weighed” (1 Sam 2:3).
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks.
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